Modern Nature:
An Homage to Derek Jarman, Part Three
3,4,5.09.2021
Adrien Chevalley, Nina Emge & Charlie Usher, Anne-Laure Franchette, Sunil Gupta, Astrit Ismaili, Tarren Johnson & Joel Cocks, Gleisson Juvino, Kali Malone and Leila Bordreuil, Julie Monot, Garrett Nelson, Real Madrid, Anthony Pateras, Prem Sahib, TETI (Anne-Laure Franchette, Gabriel N. Gee, José Cáceres), Terre Thaemlitz, Alexander Tucker
Conceived jointly by curator Elise Lammer and La Becque, Modern Nature: An Homage to Derek Jarman is a project which comprises the development of a garden and an artistic programme inspired by the life and work of Derek Jarman (1942-1994). Created especially for Modern Nature, the garden located on the lakeside grounds of La Becque is a tribute to the one Derek Jarman developed around his Dungeness cottage in the later years of his life. and a reinterpretation of the principles that guided him throughout his gardening process.
Since 2019, this place within a place at La Becque has served as a platform for interventions by Swiss and international contemporary artists – both close collaborators of Jarman and artists whose practice strongly resonates with his – whose work addresses the global question of identity, notably through avant-garde practices exploring sexuality and gender. Conceived as an open-ended process of layering, the synergies both documented and undocumented taking place between the artists’ contributions and the garden flora gradually grants the garden its autonomy, eventually embodying what a living archive could be.
In resonance with the current health crisis and its impact on artistic production, this third part of Modern Nature was dedicated to the AIDS crisis, whose Swiss history and impact on culture still seems relatively unknown. Derek Jarman, who died in London in 1994 after a long illness related to HIV, left his mark on a whole generation for his fight against the stigmatisation and discrimination of people living with HIV/AIDS. Through his prism, and that of the garden he inspired (among others through the material and narrative concept of soil), Modern Nature proposes to re-examine the notions of community and of sanitary isolation, whether voluntary or forced, and the cultural scenes that emerge from or are affected by them.
Supported by the city of La Tour-de-Peilz, Fondation Leenaards, Fondation Philanthropique Famille Sandoz, Migros Pour-Cent Culturel and Fondation Nestlé pour l'Art